The carriage system is the heart of the Hughes Easel. By now you have probably come to realize that all of the Hughes Easels are much the same with the exception of their physical size. That’s the beauty of simplicity. Because of this elegant design, different carriage assemblies can be mixed and matched to a variety of bases and wall mounting brackets removing just two screws and sliding the carriage from one to another.

The carriage is designed to accommodate the artist whether sitting or standing. It allows the painting to be held vertical,  tilted forward from the top, or conversely forward from the base plus or minus 15 degree’s. This gives greater comfort when painting and affords the artist a perspective corrected view of the canvas.

 The 15 degree movement is fully adjustable in any increment.

Unlike common easels, the Hughes tilts from both the bottom and the top making it a breeze to adjust the canvas to a comfortable working position. Notice that the tilt mechanism is independent of the supported hinge pivot assembly.

The lateral, or side to side movement of the canvas is facilitated by rollers which glide effortlessly across the top rail of the frame or wall mount.

The painting can be secured on the carriage using the traditional lip or the serrated metal gripper which facilitates edge to edge painting

The lower edge can be left in place or allowed to drop down by puling two pins. This shelf is designed to support large canvas. Although it can be used as a catch all for a brush or two and your coffee cup that is not it’s primary purpose. It is our contention that most artists prefer having their brushes and paints at a convent height and that is why we produce the Pallet Pal. 

And there you have it! The finest design for an easel on the market today. Fully patented and recognized by artists across the country as being the finest product made for the serious amateur or professional artist.